So now that we’ve covered the basics and the gameplay up through the end of Raimais, it’s time to investigate some of the other interesting stuff surrounding this game! Hopefully if you’ve read this far, you’ve been inspired to play Raimais… or perhaps take a deeper look at it! And since I know the way you arcade-gaming types think, I’ve prepared answers to some questions you likely have.
Should I play Raimais to attempt a single credit clear? Hell yes, go for it — but be warned, it is very difficult. The best way to get a 1cc is a deathless run with warps, which will remove a lot of stages that will pose problems, but making even one mistake will put the 1cc in jeopardy. I’m still working on routing and practicing this, myself.
Should I play Raimais as a speedrun game? I think this would work out very well, but for the reason mentioned above, it would probably be the least marathon safe game in existence. Routing would be super fun to do since you’ve got a lot of choices on where to go, and there’s a good amount of strategy to be devised in the individual levels.
Should I play Raimais for score? NO NO NO NO NO DO NOT DO THIS
Playing Raimais as a score game is an exercise in misery. The key to high scores is dying at least once early on (so you don’t get warps), then milking the hell out of stages where you have lasers and/or Norganizers. In laser levels, you just keep blasting enemies as they respawn for more points, but it’s an excruciating grind – most of the game’s points come from energy plate pickups rather than enemy kills, so every car you blow up adds a piddling amount to your score which only becomes meaningful after several minutes of repeated takedowns. Norganizer milking’s a bit more fulfilling, since it involves letting them drop as many high-value plates as possible, but it’s no less tedious (and far more dangerous). There’s a score replay up on Nico Nico Douga if you want to see what it looks like. Note how many times grinding has to be cut away from.
But even after I’ve said so much, there’s still so much more about this game that’s worth highlighting! How about we start with…
I can’t believe I’ve gone this long and have barely discussed the music of Raimais! The composer behind the game is Masahiko Takaki, aka MAR — a man responsible for a whole bunch of awesome Taito arcade soundtracks. Seriously, if you haven’t heard Night Striker, Rastan Saga, or Full Throttle, I suggest listening to them posthaste.
Raimais doesn’t have much music, but like Rastan, it really doesn’t need much because its main theme is just so good. It would be even better if it didn’t reset every time you entered a new stage, because the only way you’re hearing all of it in-game is to either spend a long time on a level or die a lot. While the other songs in the game don’t quite match up to this one (the theme for the last few stages is pretty great, but the second theme suffers from being a far too short loop), Raimais is still one of the most memorable games in MAR’s soundtrack portfolio. The soundtrack is on iTunes, so go grab it (and thank Zuntata Records for not being jerks about Youtube takedowns).
Cinematics (and refusals)
I’ve talked up the game’s voiced cinematics a bit, but I’m sure that some of you are curious as to what’s being said during these cutscenes. Some of the dialogue’s a little tough to make out since I’m not a native Japanese speaker and the sample rate isn’t particularly great, but with a little help from friends, I’ve managed to translate (most of) these scenes into English.
With deaths: “This is just the beginning, but you look like you’ve seen better days. Good luck, you’ll need it! Hahaha…”
No deaths: “And how does the elder sister find this?”
“Well then, let’s make things a bit more interesting for her.”
With deaths: “(the first part of this is tough to make out — nobody else I asked could understand it well, either). I hope you’re prepared…”
No deaths: “You’ve done well to get here. Congratulations. Here’s a little present to you from us.
is where one of the game’s more memorable moments — at least, to Japanese retro players — takes place.
“Why don’t you give up on getting your brother back? You can join us…”
To which Rika responds very curtly:
Her exact words are “Okotowari shimasu,” literally “I refuse.” And players (in Japan) seem to really like and remember this bit!
A Nico video capture (of a video that has recently vanished) of the scene in question, with “OKOTOWARI SHIMASU” Nico user comments covering the screen.
Kishibe Rohan would be proud.
From here, the scene changes very slightly depending on if you have or haven’t taken a death:
With deaths: “Impudent brat! You’re going to regret that!”
No deaths: “Impudent brat! But your bravado ends here!”
Like many arcade games, there’s development material and unused content buried in the ROMs of Raimais that can’t be seen in the game itself. Some of this stuff is already on the game’s TCRF page (the existence of which is all me, baby), though in the course of writing this feature, I’ve found even more things that aren’t on there (yet) — and it hints that the ending sequence was perhaps planned to be more elaborate (and potentially even more dark).
First off is some music. The game was planned to have title screen and stage clear jingles, but for whatever reason, both go unused.
Stage clear jingle
If they had to get rid of the stage clear jingle, it would have been nice if they didn’t reset the music track after every round, too.
Now we’ve got voices! Lots of them! The first voice clip in the sound ROM is Mr. Molto, with a noticeably different (and better) sound quality than most of the later clips:
“This is a test version.”
Not hard to figure this one out — it was likely used at a location test version of the game.
What’s far more interesting, though, are a set of three files much later on from a different male voice than Mr. Molto.
“I’m impressed, you actually made it here. On the shortest course with no mistakes, no less.”
“Now the farce comes to an end. Time to die, sister.”
“Stupid sister, you should have given up when you had the chance…”
Sandwiched in between the first and second of these voice samples in the ROM is Rika’s startled “Makoto!” cry from the bad ending. Taken together, these clips spell out a very disturbing scenario: Rika comes in to find her brother has been observing her performance, he’s been one of the bad guys all along, and he now wants her dead. The first clip indicates that this could have been a special ending for playing the game on a single life and getting all of the warps.
If I had to wager a guess as to why this was cut, I’d say that it was probably seen as too big of a dick move. Imagine completing the very difficult task of getting through the game on one life, scoring all of the warps, and playing perfectly to the end… only for the brother you worked so hard to rescue to turn on you. Yeah, that would be traumatic.
Weirdly, both these three clips and the above “test version” clip were featured among the game’s music tracks on an old game music CD, Taito DJ Station G.S.M. 5, which is how many Japanese players came to knew of their existence. They’ve been the subject of speculation for quite some time — and only now has this speculation has been confirmed, as we’ll see in the next section.
Those aren’t the only unused voices, though! There are even more that can be heard using Bridge M1, such as…
“You’re a clever one. You seem to be avoiding all of my traps…”
“If you’re so keen on saving your brother, then why are you stalling!?”
“It doesn’t matter. This race ends today. I’ve already set a self-destruct bomb in this building.”
“There’s no time! Just hurry up and…!” (part of this is really hard to make out)
While the first one could be used in a lot of situations (It’s located next to Mr. Molto’s sound clips from the ending sequence), the latter three are the last voice samples in the ROM, and there’s an urgency to them that suggests yet another possible ending where the facility is going to explode, and Rika and Makoto must escape while Mr. Molto taunts them. A bit happier than potential fratricide, I’d say.
A wonderful individual by the name of Mark J was inspired to dig into Raimais’s graphics after reading these pieces. He discovered some very interesting stuff, including sprites from one of the missing endings that the voice files would have corresponded to.
In particular, Makoto had a LOT of sprites that went unused, some for inexplicable reasons.
Here are some of the first few unused Makoto sprites. The leftmost image has him in some sort of surprise/concern pose, while the other two have him looking very happy… even though he appears to be missing quite a few pixels. It’s not too hard to figure out what they were intended for, however — they’re the sprites that were originally planned to be used in the ending, when Rika and Makoto meet up again and they embrace.
Here’s how the sprites should look together when properly layered.
Instead, in the final game, Makoto just kind of… stands there, seemingly devoid of affection, while Rika hugs him. I’m not sure why they didn’t go with the original sprites they drew for this ending — maybe they didn’t want to block Makoto’s face? In any case, if you look carefully at Rika’s ending sprite (check this article’s header!), she’s actually missing some pixels in her waist area where Makoto’s hand is supposed to be. Whoops!
Here’s another set of unused sprites, with Makoto falling to his knees. His left hand in the rightmost sprite looks really weird, as though the artists expected something to be layered over it. Could this have been a scrapped reaction to Rika’s potential death? It’s a possibility!
And then there’s this among Makoto’s sprites. This basically confirms the reveal the potential ending that the audio files hinted at, with Makoto tearing off his amazing disguise of Mr. Molto to reveal that he was a villain all along!
(I really love how this looks exactly like a villain reveal in your average Scooby-Doo episode. He just yoinks the whole thing off!)
If that didn’t confirm that the devs intended an ending with a Rika and Makoto showdown, then these sprite sets certainly do: Makoto walking forward with a gun in the same way Mr. Molto would in the other endings, along with a collapsing animation. These aren’t just the sprites from the normal bad ending flipped, either: Makoto always wields the gun right-handed, so these are completely redrawn.
So there you have it. The ending with Makoto trying to kill his sister existed at one point, was far enough along to have graphics and voicework done for it, and was ultimately scrapped. A near 30-year-old mystery is now solved!
There aren’t any sprites of Rika with any alternative weaponry or means of defense, so it seems likely that she’d once again need the Light Mirror in order to survive this.
Near the attacking Makoto sprites is… this. I haven’t the foggiest idea what this could be – the palette might not even be correct.
Most of Rika’s sprites are used, though there’s evidence in the ROMs of certain sequences (like her using the Light Mirror) getting touch-ups. (Those are differences of mere pixels, however, and probably more suited to showcase at a place like TCRF.) There’s one last sequence of potentially unused Rika art showing her moving backwards while clutching her shoulder, as though she’s injured. I need to confirm this, however: it could be used if she gets low on life in the final sequence, I’ve just never actually been that close to death. I’ll post them here once I test for myself!
The Official(ish) (Possible) Followup
There wasn’t ever a proper Raimais sequel made, but there was a way to see a continuation of the game’s story… in another game entirely.
Hey, remember when I wrote about Syvalion, waaaaaaay back when I first started this site? One of the neat things about the game is that the game’s story (presented as text in-between levels) changes from playthrough to playthrough, with your in-game actions having a bit of an influence on where things can go. There are many ways the story can start and end, and some of the paths tie into other Taito games… mostly Darius, but there are three possible endings that actually follow up on Raimais!
In these endings, the pilot of the Syvalion turns out to be none other than Makoto Midorikawa, Rika’s younger brother. This isn’t actually revealed until the very end (since your player character can be, well, a lot of different people), but after finding the Syvalion (in one of the game’s many possible intros) and (potentially) discovering a nefarious plot to conquer the planet, he infiltrates the base of the plan’s masterminds.
To potentially get on the Raimais path, you’ll have to be given a power-up in the Chapter 2 intro (not reinforcements, though!), then start Chapter 3 with the plot of getting a message from the mysterious enemy leader after defeating the huge mecha: this means you’re on a path for Darius/Raimais endings. If you’re on the Raimais path, then around Chapter 4, the mastermind of the planned invasion will appear on the Syvalion’s monitor (that sounds familiar) and state that he has captured the protagonist’s older sister. This can culminate a few chapters later in one of three possible endings:
I’ve defeated all of the giant mecha! The enemy’s plans have been crushed! There’s the body of the enemy commander. As I remove the mask covering his face, I find myself frozen with shock! It’s my archnemesis Mr. Molto, the one who took my sister’s life! I won’t be able to return together with her… but, by chance, I’ve both carried out my sister’s revenge, and saved the Earth! And so, the fighting ends…
The giant mecha explodes, and the enemy has been destroyed! I quickly escape with my sister from the enemy base. The smoldering wreckage blazes behind us as we fly back towards earth.
“Sister! I- I can’t believe…you’re alive!”
“Makoto… The dead enemy leader’s identity… it’s that bastard Mr. Molto who put you through so much! And… thank god, their keikaku 1 to rule all of space has been ruined!”
We’re both overjoyed that we’re alive, as we hug each other for what seems like forever…!
I’ve defeated all of the giant mecha! The enemy’s been destroyed! Peace has returned to Earth! …however, my battle took too long! Inside the burning enemy base, I serach frantically for my sister! I hear her screaming voice… “Sister!” I cry out. She perishes in the flames…The planet may have been saved…but, I will not be able to return with my dear sister.
So there you have it! The endings that continue the story of Raimais. Who would’ve thunk that Makoto would grow up to be in charge of a long, lumbering, weirdly-controlling murdermechdragon?
These are my own translations, I should note.2 I think the Europe-only English-language SNES port of Syvalion also has all 100 of the arcade version’s endings… which means the Raimais endings might be in the mix, as well. I’m not a huge fan of the SNES port, though, so it’s something I’ll investigate later when I feel like trying to push myself through it: The random nature of Syvalion makes trying to aim for specific endings pretty tough going. I also wonder — does the version of Syvalion on Taito Legends 2 have weirdly translated versions of these endings, too? I don’t have that edition, but if you’re willing to check (and god bless you, that’s a task to try and get a particular ending without savestates), send your findings along to me!
Honestly, though…. It’s pretty depressing that Rika gets fridged hard in two of these endings — her brother already gets the giant fire-breathing mech spacedragon while she gets stuck with a souped-up scooter. Can’t an awesome retro game girl catch a break at all? Next thing you know, they’ll pretend she didn’t even exi… oh, right, we’ll get to that. SIGH
The Organizer is an enemy in Megablast, along with a bunch of other Taito characters. That’s all I really want to say because Megablast is awful. So bad, in fact, that I just lifted this image from Ant’s page rather than playing it. He understands.
Raimais World Version
There’s a chance some of you have read through all of this and are utterly puzzled. “What the hell?” you ask. “I didn’t see anything about Rika and her brother, or any of the cutscenes! It just put me straight into a maze from the moment I pressed the start button!”
I’ve got some bad news for you: you’re playing the World version.
The World version features all of the Japanese version’s levels, and plays mostly the same: all the the plates, walls, and enemies are in the same places, so there aren’t any jank-ass difficulty alterations in any of the stages. Instead, the changes are in the story sequences: in short, they’re all gone from the game. No introduction, no chats with Gum Can after the Reverse Rounds, no messages from Mr. Molto, and no surprise ending.
I take that back — you do get to chat with Gum Can, in bits that replace the parts after rounds 4, 12, and 24 where Mr. Molto would message you. He’ll just give you generic words of encouragement, such as the dialogue above warning you about the difficultlies awaiting. There’s a notable gameplay consequence to this: since you don’t have the original cutscenes, that means the warps you’d get from deathless play are gone. You’re doing all 32 stages whether you like it or not, bucko!
Weirdly, if you complete a Reverse Round and would be given an item by Gum Can in the Japanese version, you’ll still get it in the World version… but you won’t be told you got it. If you complete a Reverse Round, press the item button in the next stage and hope you get lucky, I guess?
If you’re wondering about the ending…
Well, that sure happened.
Since there’s no story here to speak of, the ending is similarly anticlimactic: a picture of a building (presumably where the labyrinth was) and a message saying that you did well, but you only saw part of the game’s courses, so maybe you should put another coin in and- nah, I’m good, the Japanese ROMset’s sitting right over there.
Remember those unused voices, though? One of them was Mr. Molto talking about how the building was rigged to explode. Could it be that when that idea for an ending was scrapped, the dev team had already drawn art for it… and just decided to make it the World version ending instead? It’s a definite possibility!
So the World version is absolutely not the version to play. Removal of the story scenes makes a world of difference: the game is less interesting and missing a key skill element with the warps gone. The question is: why did they get rid of them? Perhaps it was the voices, which would need to either be dubbed (not happening) or replaced with text? Then again, Rastan had many more story scenes in its Japanese version, and those were already in English… maybe they thought players just didn’t want story? Hmmm. Perhaps they thought people would react badly to an ending where the outcome was bad unless you completed a not-immediately-obvious task? But wait, Bubble Bobble did that, and people liked it just fine. Huh….
I have another theory: common wisdom at the time was that western arcadegoers were mostly young males, and that young males didn’t want to play as women characters. In other words, the story scenes are cut and Rika is never shown because someone thought that Western players would dislike a female lead.
Nope, no wimmins driving all the highway here
Now before you bust out screencaps of things I’ve written and draw MSPaint arrows on them to prove my agenda, I’ll point out that there’s a precedent for this sort of thing happening. Games like City Connection and Ninja Princess had their title altered and/or promotional materials adjusted to hide the fact that you’re playing a girl until your coin’s in the machine (and a complete gender change in the Master System port). Legendary Wings’s heroine got a complete gender swap as well in the first overseas version of the game. Taito wasn’t immune to this nonsense, either: Ptolemy was redrawn in promotional art of The Fairyland Story to be a male elf.
So yeah, seeing as how there’s a history of gender hiding/altering happening, I have pretty good reason to believe that at least part of the reason why the story scenes are gone is to conceal that the lead character is a woman. At least we’re past that as an industry, right…?
Strangely, even though they dumped all of the story, they overlooked this particular stage in the localization process. Uh, whoops.
A secret code
There’s one hidden code for this game. If you hold Up and the two buttons while pressing start, you’ll see this slide down onto the screen into the middle of the intro:
If you’ve triggered this code, the first encounter with Gun Can will also have its text changed to comments about the staff.
Yeah, it’s basically untranslatable in-jokes. Still, it’s always fun to see this sort of thing turn up in games. The creators had to leave their mark somehow, and given that “The Credits” don’t actually specify most of the particular jobs people worked on this title (and, I’m told, they basically just put in the names of all staff of the Taito Chuo office no matter how involved they were), Shirou… er, Sirou and Yuji got their moments to brag and give some shout-outs.
Shirou also put his name in the game in stage 10 Gray, apparently! The walls of this stage form the the hiragana characters “shirou.”
So, after writing a small novella’s equivalent of words about Raimais, I think I’ve finally said almost everything I want to about this title. I guess there might still be one lingering question: why on earth do I love this obscure game so much?
Well… a lot of reasons, really. It’s a pretty solid title on its own gameplay merits, and I really dig it even though I’m not a huge fan of dot-crunching games in general — there’s a lot of meat to chew on here in terms of strategy, both for individual stages and for going through the whole game. But I think it’s the story and atmosphere that really make it a treasure. I’m a huge sucker for the 80s sci-fi-anime aesthetic, and Raimais has it in spades: vehicles, giant bug mechs, evil scientists, and that distinctly 80s image of the future!
But then you’ve got the game’s story, and the crazy curveball it throws you at the end. I’d be lying if I said the ending didn’t play a huge part in my affection for Raimais, as I spent literal years attempting to decipher the secret behind the game’s true ending. The presentation also struck me as unique and engaging in for time when cutscenes in games were still a novelty. On top of it all, you had a really cool female heroine in Rika, and I’m always into playing more awesome girls in games.
Take all of that, mix it in with a great soundtrack by MAR,and sprinkle in some additional discoveries about the game’s link to other Taito titles (because oh boy do I love me some obscure game research), and you’ve got a recipe for something I’ve utterly fallen in love with. Raimais is a treasure, Rika is one of my favorite retro heroines, and here I am now spilling out all of my affection for this game in the longest article yet written for this site. I hope you all enjoyed it!
But wait… we’re still not quite done yet. There’s a road less traveled by that we should examine…